Red

As we enter the winter months the warmth of the colour red enters our lives. Most famously its significance with the symbol of rememberance  in the poppy and later as the colour of the winter festivities.

 'North Norfolk has long been known as Poppyland after an association made by the Victorian poet Clement Scott in his poem 'The Garden of Sleep'. Despite this, Alexanders were initially elected as the County Flower for Norfolk. However, local supporters demanded a re-vote and out of five possible choices, the poppy won.'
http://www.plantlife.org.uk/wild_plants/plant_species/poppy

In Norfolk we have a saying to Do Different and we did so in retaining the poppy as our symbol.

Poppy in the middle of the road, Preniac, France. 

 And of course remembering the nurses who also served. Detail of 'Roses of No Mans Land'. This piece has red crosses on a background of Belgium and French maps.

  

Red Rose Hips near the River at Medway. 

Detail of 'Red Barge Sails' shortly to be shown in Urban Nature at the Beaney

Love this use of red in an exploratory piece by a student participating in the Nautical Threads workshops with Dover Arts Development

Thin Red Line, folding book, using Origami folding method for dyeing. In  Japan the colour red is a celebratory colour.

 

Empty Vessels

As we enter winter it is amazing how I begin to miss the richness of the outdoors. The trees begin to lose leaves and I feel as if at times the world becomes a little smaller and emptier as we withdraw to the warmth of the indoor spaces..I begin to notice the small things around me. The hot water bottle is back in my bed and my drawing becomes more localised. But the small details can provide a wealth of interest.

Autumn Foliage and a view from a window.









The image below is a work in progress by Barbara Baines in a recent workshop in Preniac

And of course, we can go beyond pots. Listening to Radio 4 becomes a necessary part of the creative process.  Well worth a listen is Grayson Perry and the Reith lectures. He is no 'empty vessel'.

I also find myself returning to some of the bowls I looked at earlier in the year at West Dean and whilst in Hong Kong.

Green Bowl (private collector)

Finally, when the days set in, having a cuppa with your friends can be a lovely respite. This was started as part of a demonstration during a workshop in Ripon. I had obviously been thinking about vessels. But must also thank Ann Holden for the serviette. Borrowing again.

Text and Image, Cloth and Paper

A different place and time when on holiday or as part of work travel can provide new approaches for your work. A recent visit to the south of  France to Studio Preniac during early harvest time gave plenty of inspiration. Text and images can both stimulate and be collected as a resource.

Montcuq market text and images in the produce stalls and Graffiti on a door in Cahors.

 

This piece, a detail from Indian Journal  uses woodblocks and roofing felt. We were extending the house at the time. People generously sending in pieces for Tea Flora Tales  

have used a variety of text and images.This work will be shown at The Beaney Gallery, (Canterbury Museum) from the 30th November.Details of this and current exhibitions can be found on my blog.

Picasso and the cubists   used text and images in collages referring to everyday objects and scenes.The definition of collage, as found in the Oxford English Dictionary, is “an abstract form of art in which photographs, pieces of paper, newspaper cuttings, string, etc. are placed in juxtaposition and glued to the pictorial surface.

 

Picasso  "Still-Life with Chair-Caning

 

Kurt Schwitters 

Taking their inspiration from both photographs and drawings made on location and the text and images found on route with their own collections students on the course at Preniac developed their own textiles collage pieces reflecting everyday references. Thankyou to the students who kindly allowed me to use images of their work.

 
Jug print and map (Barbara)                          Folding book form with a sea theme (Daphne)

 French Landscape (Roz)

 Marie Antoinette and Cahors (Ellen/right)

 Detail of blue collage (Jeannie)

Connected Details (Flo/right)

                  Pots and paper (Jenni)

  Riot (Jo)

 

Book form sketch (Gail)

This piece 'Text' contains my father's handwriting His birthday was the 11th September.

Detail of my quick stitch sketch of sunflowers.

 And finally some sunflowers, my name on a car plate!

Thanks to Bill and Liz for wonderful food, company and more.

I am returning to studio Preniac in May-June 2015..now all I have to do is plan what to do.

www.studiopreniac.com/

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Wabi Sabi and The Joy of 'Accidental' at West Dean

I have just had a most wonderful Summer School week at West Dean with a group of students who really took the idea of Wabi Sabi and the joy that can be found in the overlooked and accidental to a new level.

We found some small details to draw and photograph in the gardens and were later entertained by the Chilli Festival

 

Had a glimpse of enough sun on one of the days to experiment with sun print and when we were not able to do that, we dyed 

Lovely transfers and dyed fabric by Lesley Thomas

Lis Gabb working board full of colour

Julie Ford linking words to several pieces loved the box form presentation

Katie Boucher detail of layered and stitched transfer and teabags and Judith Ward red thread miniature.

  

Detail of Amy Fords layered collage,,even net curtains can be beautiful.

 

Resources boards ideas and some of the raw materials we sometimes need 'to remove all that is unnecessary. It is really hard to communicate how the workshop went through several changes over the week as we refined our ideas. When working I forget to take images as I am concentrating on the jn in hand.

Finally, during the afternoon off I captured a few images from West Dean, shadows and ladybirds as well a visit to Chichester where I revisited the wonderful John Piper tapestry and found a needlepoint cushion and wall ceramic with birds.

Thank you to the students who gave me permission to use the images and to West Dean for providing such an inspirational environment to teach in.

Finally, on the last day, I found out 'Connected Cloth' co written with Anne Kelly, is already out there.