Monday, 4 April 2016

South West Wanderings

I have been in Arizona nearly two weeks now. Returning first to Red Rocks country in Sedona. (more about that later) before spending a little time with friends in Tucson. The sketch above is on the road from Phoenix to Tucson. Below is my friend's dog, Lola.



I had a lovely first day on Tumaroc Hill which is part of the Sonoran Desert. Filled with majestic Saguaros with views over Tuscon basin. The top of the hill is a research station. I loved the mix of industrial and reserve.


I also went for a walk around the neighbourhood where I have been staying. The majestic Palo Verde are in bloom. They provide wonderful shelter in the washes (arroro) which take the run offs of rain water during the rainy season (usually August)
Although very hot for my more sensitive English skin, I arrived during a relative school spell.  I was able to take in exhibitions at the Tucson Museum of Art. I loved Ellen Wagener's Big Skies/Hidden Stories. Beautiful majestic landscapes in pastel.


 And this painting of three girls by Mary Wyant.

There was also a Textile exhibit, String Theory:Contemporary Ary and the Fiber Legacy which I would urge anyone in the vicinity to see. On until June 19.
Sedona always remains a special place for me . I was delighted to return and spend time with friends. I was also delighted to work with the Sedona Arts Center over the Easter weekend.

Images of work in progress 'From the Land' pieces created by the workshop participants.


Isabel Simmer

Paula Clarke 

Suzette Young

Lorie Garver

Kathy Przkopp

CC Landauer

Ann Crossland

Irene Peake

I am looking forward to my exhibition opening of Stitch
 Stories and book signing at Visions Art Museum on 16 April. Pop in to see it if you can. I will be at the Open Event from 5-7pm. There will also be the opportunity to see work by Gay Lasher, Edie Greenberg and The Jury is In and Visions Members challenge Geometric. I will also be giving a talk on my work on Friday 8 April as well as running workshops with San Diego Book Arts and 'Sense of Place'. Full details on this link



Sunday, 13 March 2016

On the Edges of Things

It is as I prepare for trip to the USA I realise it is precisely 6 months since my return from Australia Often, when I travel as much as I am involved I often feel on the 'Edges of Things' and leave friendships and experiences behind. Yet, many of these experiences are interaction with the world are shared with others.

 Whilst in Australia, I worked on drawings and gathered pieces of fabric from my friends to make physical some of the experiences and the conversations I had about life and everything. I called this piece 'The Edges of Australia' and unrolled it is around 4 metres in length. It brings back Tea in Tasmania to ward off the cold, The wonderful early mornings in Queensland and misty views. The incredible Loy Yang power station in Traralgon which had a strange beauty all of their own  and the birds visiting the empty bird cages in my an eccentric garden in Perth
 (I am looking to return in 2018 if I can manage it).
 
  
 Making memories from cloth to hold the things close is one of the things we hold in common as textile artists. That and collecting cloth. During the Fibre Arts event at Ballarat this year in conjunction with The Lost Ones Gallery, there will be an exhibition of the work of the Australian tutors titled "The Collection".
Appearing in the exhibition (and in the detail above) is Memory Cloth #12, Numbers Lost, by Glenys Mann, marking the loss of life in the Australian bush fires of 2009


My work is inspired by emotions of the environment, the world events and emotions of everyday life Glenys Mann 

Often this 'emotion  of the everyday' is that feeling of being 'on the edge' and not being able to 'control' things which you care about you but are simply not in your control to change. Dealing with illness and change equally makes us feel we have no control.  We all have close family members and friends who are being lost to us..I am no exception.  In her work for the shortly to be opened Prescriptions at the Beaney Gallery
Artist Sally Chinea talks about the loss of her friend at a young age from breast cancer:
 The fragile textile cubes, portray life, hanging by a thread, the images show a small selection of my friend's work as well as poignant messages and moments from our friendship.

Prescriptions runs from Thursday 21 April to Sunday 14 August at The Drawing Room, The Beaney, Canterbury.Free Admission, drop in
The exhibition focuses on the book art of Martha Hall, on loan from the University of New England, and linked to a University of Kent symposium. Hall’s books documents her experiences with breast cancer and interactions with the medical community, and are accompanied by a curated show of artists books responding to themes of art, empathy and wellbeing. Supported by the Wellcome Foundation.

I have Florascript accepted to the same exhibition



They remind us of the ‘roots’ of our relationship with medicine. A time when prescriptions or ‘script’ were written up for treatment of a patient using ingredients collected and sourced from the natural world around us. During the ‘Great War’ children and adults grew and collected medicinal plants  and herbs from the roadside edges and the wild places (to compensate for the loss of German pharmacological products on which Britain was heavily dependent).



Thursday, 4 February 2016

Marks on the Medway


I spent a morning revisiting my old stomping ground. I worked in the Medway towns as a Community Artist with Spiral Arts from the early eighties and this long association continues I have always drawn to the wide reaches of the river as the Medway  broadens on its way to sea. The mood of the river went from a deeply grey morning to sunshine in a space of a few minutes taking these images. The  tide, debris and birds making their own marks in the riverbed




These edges of the river where Nature and the Urban working life of the river meets have always held a strange fascination not surprising given the rain we have had and I was drawn to make a few marks when I returned home.
 
 Artist Stephen Turner equally shares a long fascination  for the Medway. I remember his working on canvases painted with Medway mud (way back) when we worked together in Gillingham and it still seems he making marks as reported in the Mudlark Magazine..the extract appears in ' s Naturegirl blog. Stephen also spent a year in the guise of 'The Beaulieu Beadle', on the Exbury Egg working on, in and around the Egg for twelve months
addressing the meaning of place at a time of great environmental change.
I also had time to take in the wonderful work of Shelly Goldsmith, 'Drawn to Ohio' exhibition at Rochester Art Gallery & Craft Case (until 13th Feb). The marks in cloth mark the fragility of our interaction with the world around us through the clothing we wear and the weathering of marks on cloth are reminiscent of the scratches in the mud I had seen earlier.. It also marks the emotional distance between the area of North Kent and Thanet where the artist lives and her connection to family in Ohio.


  
 'Queen of Clouds' - reclaimed 1950's women's jacket with woven text tape above left and above-detail of  'Inner Storm' - reclaimed wedding dress with woven text tape 

More of my Medway inspired works/details
Medway Marshes Sketch
Blue Grass detail
Detail of Shorelines (this piece appears in Stitch Stories) (The book is currently being reprinted, the reprint is due at the end of February and will be available again, thereafter from all good bookshops and online retailers)



Thursday, 17 December 2015

Well Shod..telling stories

Over the last year I have spent a great deal of time on travelling and walking.My Grandmother, a Romany, talked about her travelling days as a child' 'We all wore high-laced boots that were hand-made in Luton "Well Shod" my father always said'  (Memories of a Romany Childhood as told to her daughter Mary Chapman 1994.) 

For people on the road, good shoes are a must. With those shoes comes their own stories.
My old boots, worn for over 20 years reflect my times walking in the Kentish Countryside and much further afield just had to be sketched and now act as reference for drawing in my Adult Education class.


My sister had her own dreams of ballet dancing as child, we all love the elegance (and maybe the tutus) These paper shoes are inscribed with the poem with 'Rings on her finger and bells on her toes' from Ride a Cock Horse to Banbury Cross, Horses were equally important modes of travel for my grandmother. 

Ballet Shoes (photo Michael Wicks for The Found Object in Textile Art, Batsford 2010)
Still, ballet shoes have to be well made as this short video of Freed the Ballet Shoe maker in London testifies

On a recent but brief visit to the British Museum  I discovered a lovely little exhibition of shoes in the Life and sole:footwear from the the Islamic world. Beautifully worked, with fine embroidery and leather tooling, my gran would have approved.




The little Riversoft shoes I found brand new in a charity shop at the end of my Australian trip (to replace a pair I had worn out) could do with some of the embellishments in the ones above.
I was very privileged to include images of work by Rosalind Wyatt from her project the Stitch Lives of London in 'Stitch Stories'. This includes an Edwardian Satin dancing shoes embroidered with the story of Mary Pearse, the pauper daughter of a London shoemaker.
If Shoes Could Talk, Rosalind Wyatt (kind permission of Rosalind Wyatt)




Exhibitions, the launch of Stitch Stories and work have kept me on my feet, from an old military building in France,  to my current local exhibition 'Common Place, Common Land' in Maidstone. In the Summer I worked with Fibre Arts Australia and extensively travelled around the 'Edges of Australia' (which you can read about in earlier posts on this blog), and felt an Australian Winter 'cold' for the first time complete with frost! 
My grandmother unusually for Romany children of the time, still learned to read, her family settled and she went into service:
My carefree Romany childhood and our life on the open road had come to end end. However, we did not know know then that in the aftermath of the 'war to end all ward' life in Britain would  be irrevocably changed. Throughout my long life (my grandmother died in 1995) I came to view my Romany years as an age of innocence, not just for us children, but for a nation'.
It seems I not only inherited the love of the 'Open road' from my gran but also her ability to tell stories:

Thankyou to all have hosted me and continued the textile friendships in 2105. I am planning new adventures in 2016 which will be updated on my other blog.  
I wish you a Peaceful Christmas and Happy New Year. As you 'walk' through life,  I leave you with an old Irish blessing

May the road rise up to meet you.
May the wind always be at your back.
May the sun shine warm upon your face,
and rains fall soft upon your fields.
And until we meet again,
May God hold you in the palm of His hand.